In Yorgos Lanthimos’ latest cinematic creation, “Poor Things,” a surprising departure from his usual repertoire, viewers are treated to a visually stunning and emotionally charged experience.
Set against the backdrop of Victorian London with a surreal twist, the film tells the story of Bella Baxter, a character brought to life by Emma Stone’s exceptional performance.
We’ll delve into the enchanting world of “Poor Things” and explore its themes of female agency, bodily autonomy, and societal control. Let’s embark on this cinematic journey and uncover what makes “Poor Things” a must-see masterpiece.
“We are all cruel beasts,” a line from “Poor Things,” may not align with the film’s overall message. In this enchanting piece of cinema, Yorgos Lanthimos, known for his portrayal of life’s oddball characters, surprises audiences with a unique and moving experience that explores female agency and bodily autonomy.
“Poor Things” takes inspiration from Alasdair Gray’s “unfilmable novel” and transforms it into a flamboyant and fantastic fairytale, filled with humor and absurdity.
One of the standout aspects of “Poor Things” is Emma Stone’s portrayal of Bella Baxter. Unlike Lanthimos’ usual curt characters, Bella is a character viewers can genuinely root for.
Her gangly limbs, unfiltered speech, sexual liberation, and big-hearted empathy make her a relatable and endearing protagonist. Lanthimos maintains his idiosyncratic weirdness while crafting an epic bildungsroman with a scope that leaves us astonished.
Set in Victorian London with a surreal twist, the story follows Dr. Godwin Baxter, played by Willem Dafoe, who performs a groundbreaking brain transplant to save Bella’s life.
Bella embarks on a sexual odyssey, encountering the truth about men’s attempts to control and subdue her. “Poor Things” masterfully explores these themes without becoming preachy, blending drama, humor, and absurdity seamlessly.
Emma Stone’s fearless and freewheeling performance as Bella is a highlight, showcasing her sharp intelligence and impeccable comic timing.
The script, penned by Tony McNamara, is witty and bawdy, akin to characters in a fable. In “Poor Things,” Bella becomes the beauty, while everyone around her represents the monster, subverting our expectations in a clever nod to Frankenstein.
The visual aspects of “Poor Things” are a feast for the eyes. James Price and Shona Heath’s production design transports viewers to various locations with inventive and gargantuan sets. Director of Photography Robbie Ryan’s use of a fish-eye lens adds a surreal dimension to the film’s visuals.
In conclusion, “Poor Things” is a cinematic masterpiece that defies expectations and delights both fans and critics alike. It offers a tantalizingly twisted and unendingly fun exploration of sexual euphoria, brought to life by a talented cast and visionary filmmaking. Don’t miss the opportunity to immerse yourself in this whimsical journey of transformation.